Selasa, 07 Oktober 2008

Balinese music, dance, and traditional entertainment part 2

Baris
A dance of war, the Baris is strong and masculine, yet also displays strong sensitivity in the myriad of moods and expressions displayed within the dance. The Baris Gede, a sacred dance usually only performed during ceremonies, consist of ten or more elegantly dressed warriors with distinctive triangular white headdresses and bearing weapons, either spears, spiked shields or swords. They dance in line, posing aggressively before each other in simulated battles.

Kecak
Out of the male chorus chant, which produces the trance of the Sanghyang ceremony, has developed a new dance; the Kecak, Usually over 100 men participate. Providing their own orchestration with a counter pattern of vocal sounds that complement their rhythmical movement, creating a living circular stage for the reenactment of an excerpt from the Ramayana story by flickering torchlight.

Legong Keraton
Perhaps the most exquisite of Balinese dances is the classic Legong, a dance traditionally performed as entertainment for the King. Young girls wrapped from head to ankle in hand-painted gold brocades, with glittering gold mirrored head-dresses topped with trembling frangipani flowers, glide with delicate movements which portray the ancient story of King Lasem and his unsuccessful love suite. The dancers seem to be the essence of all that is feminine and beautiful.

Sanghyang
Sanghyang traces dance have only in recent years become publicly performed as entertainment. Their essential function is religious, an exorcism of the spirits that is supposed to promote peace and health within the village. Specially selected boys and girls are “Sung” into a trance by a group of women who sing the special repetitive Sanghyang Dedari, the dance of the angles. The tiny girls who have never danced before are able to give accomplished performances of the Legong. In the Sanghyang Jaran, the horse dance, the men in a trance snort and canter unflinchingly over red hot coals.

Topeng
The Topeng, or mask dance is one of the most demanding of dramatic talents requiring the actor’s skill and adaptability of mannerism and behavior to suit each picturesque mask. Topeng stories are tales combined from ancient literature and local history, blended with a contemporary interpretation personal to each actor. The characters are caricatures of all that is human, both virtue, folly, and slapstick comedy is the key to the drama.

Other Dances:
There are numerous other forms of Balinese dance icluding; Tekekan, Leko & Janger, Bimanyu, Gabor, Mahabrata the Epic, Raja Pala, Calonarang, Ramayana, Frog Dance, Parwa Ramayana, Joget, Janger, Genjekan and Debus.




Shadow Puppet Show
Known as Wayang Kulit, these shows are an important part of traditional Balinese life. They convey modern ideals and current news and are instrumental in holding on to the past and teaching the young about important aspects of their lives to come. Many of the stories told in the form of Wayang Kulit are from Hindu epics such as the Ramayana. In the shows flat puppets made of stiff leather are manipulated behind a thin white screen that is back lit with an oil lamp. The action of the puppets are accented by voices that correspond with the character and an orchestra of gamelan.

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