Bali Bird Park

Find yourself at the Bali Bird Park to witness the largest and finest collection of Indonesian birds in the world plus fantastic birds from Africa & South America.

Encompassing two hectares of botanical landscape, the park provides sanctuary to almost 1000 birds of 250 different species.

Our innovative approach towards the display of rare and tropical birds has progressed from traditional exhibits to that of showcasing mixed species in their natural habitats & in large walk in Aviaries and free range throughout the park.

The park accommodates an amazing display of flora with more then 2000 tropical plants including 50 varieties of palms alone and attracting numerous butterflies.

Incorporating a breeding, research and veterinary facility within the complex, the park has a high success rate in the captive reproduction of exotic birds such as the Bird. of Paradise and Hornbill.

The park is divided into regions that recreate the natural habitats of our birds, complete with indigenous plant life and traditional artefacts for authenticity.

Experience the original Jungle birds of Bali and encounter the world's rarest bird, the Bali Starling.

Discover the exotic birds of Papua and one of the most comprehensive collections of Bird of Paradise in the whole world.

Travel to Far East Indonesia, home to an amazing array of birds as well as the extraordinary Komodo Dragon, a giant carnivorous lizard which is a direct descendant of the dinosaur and rarely seen in captivity.

See the fantastic Javan Hawk and Serpent Eagles - & listen to the sweet sounds of Java's song birds echoing through the foliage.

Visit the deep jungle and misty mountain ranges of Sumatra for rare and strange endemic birds.

Venture to other tropical continents to view our collection of South American exotics such as the Scarlet Macaw and Toucan, witness the Congo Grey Parrot and other birds of the African Savannah.

See Cassowaries, Cranes, Storks & Pelicans and many more birds as they wander freely living and breeding uninhibited throughout the park.

Stroll within the boundaries of our giant walk-through aviaries that replicate the natural eco-systems of the Bali Jungle and Papuan Rainforest.

Pathways and bridges are carved through the dense foliage where only filtered sunlight manages to penetrate the canopy of greenery overhead.

Several vantage points have been strategically positioned to catch glimpses of free flying birds as they follow their survival instincts of foraging for food, nesting and mating.

These protected enclosures safeguard rare species from outside predators, whilst still exposing them to the various aspects of living in the wild.

Within 2 hectare of Balinese landscape and a free range birds, Bali Bird Park is a popular place for :

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arranged a special program for family gatherings
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corporate program
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group arrangements
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student group special education
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other creative competition such as photo shooting
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painting
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drawing or
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annual gathering

Bali Bird Park plays a key role in protecting and conserving Indonesia’s endangered wildlife.
The Park have successfully bred many species, including the rare Pesquet’s Parrot and numerous Bali Starlings. We accommodate more than 40 species of protected Indonesian birds in the park, a growing number of which are now breeding successfully under the care of our staff.


Bali Bird Park - Jl. Serma Cok Ngurah Gambir
Singapadu, Batubulan - Gianyar - Bali
Telephone: 62 361 299352
Fax: 62 361 299614
E-mail: sales@bali-bird-park.com, Website: www.bali-bird-park.com

Bali’s Mangrove Forests

Where nature tourism is integrated with conservation efforts.Mangrove forests are continuously being rehabilitated.Indonesia, as a tropical island nation, has around 17,500 islands with a coastline totaling 81,000 kilometers – a distance equal to twice the circumference of the earth. With this extensive coastline, Indonesia has the world's greatest mangrove forests: 4.5 million hectares, or a quarter of the world's total. Bali alone has 2,215 hectares of mangrove forests in various places, and one of the largest is in the Tanjung Benoa area.

The existence of mangrove forests was among the important topics discussed at the International Conference on Climate Change held in Bali last December. Mangrove (in Indonesian, bakau) is the name used for a wide variety of trees that grow in seawater tideland areas. Indonesia has around 89 species of mangroves, 30 of which are found in Bali.

Until recently, the public has thought of mangroves as no more than a type of coastal tree with various economic uses. Actually, mangrove forests have many functions, such as protecting the coasts from abrasion by waves, preventing erosion of soil that then washes away into the sea, providing a habitat for marine biota, capturing CO2 and producing O2 – oxygen – which is needed by humans and other living creatures. Mangrove forests can also be developed as ecotourism venues, with the mission of promoting proper management and conservation of the environment.

At first glance, the tidal areas with mangrove forests that we encounter along the Ngurah Rai bypass road do not seem that interesting – all you can see is muddy soil and mangrove trees. However, I recently explored the mangrove forest area at Tanjung Benoa, Bali to observe its conditions and potential.

The journey started at the Mangrove Information Center (MIC), founded in 1993 by the Department of Forestry with the assistance of the Japan International Cooperation Agency (JICA) and located at Jalan Bypass Ngurah Rai, km 21. The project emerged from concern over the large-scale destruction of these forests. Mangrove forests have rapidly been degraded through conversion into fish or shrimp cultivation ponds, rice fields, harbors, and industrial zones, and by excessive felling for various purposes. The project provides a venue for training, outreach, and education regarding sustainable management of the mangrove forest ecosystem, and also for ecotourism activities.

The Mangrove Information Center is just 15 minutes from Kuta, or 20 minutes from the center of Denpasar. As you enter the area, you encounter a green panorama of mangrove forests along both sides of the road. This green belt plays an important role as the "lungs" of the city. At the end of the road is the main building, the Information Center itself, with various informational brochures on mangrove forests and a full range of facilities – a lobby, an audiovisual corner, an aquarium with specimens of mangrove fauna, a souvenir shop, and an exhibition space.

Birds are abundant at mangrove forestsAs we head toward the Mangrove Trail, we first pass by the mangrove nursery, which provides seedlings for the mangrove forest rehabilitation process. Next, we come to the Touch Pool, where visitors, students and families can learn about the environment through direct experience.

Starting from the entry point to the Mangrove Trail, at a small structure called the Pond Heron Hut, the path is comprised of sturdy bridges made of Borneo ironwood (ulin), to prevent damage to the environment. The Mangrove Trail is 2150 meters long, 1850 meters of which is wooden bridges. Posted at the trailhead are a map of the trail and a notice reminding visitors about what activities are prohibited in the area. The trail is clearly marked at all points, so there is no risk of getting lost.

A walk along the wooden bridges, enjoying the greenery of the mangrove forests, is very pleasant indeed; it provides both recreation and an excellent opportunity for children to learn to love nature. Signs along the trail provide information about the various types of mangrove trees and the other creatures that live in the forest. There is also a tidy wooden rest shelter.

The mangrove roots that rise high above the surface of the marsh in artistic patterns play an important role in preventing coastal abrasion and soil erosion. Unfortunately, the area's natural beauty is marred by certain people's littering.

When the tide goes out, dozens of crabs can be seen scurrying along the ground, popping into holes as we approach and emerging again after we have passed. It's not surprising to see such a variety of marine species here, because the mangrove forest serves as a nursery ground, feeding ground, and spawning ground for many types of fish, shrimp, crabs and other species.

Several creeks pass through the forest, with bridges crossing over them. These streams are an ideal place to explore the mangrove forests. The Mangrove Information Centre schedules regular boat trips to explore the forests.

There are also several lookout towers, from which we can observe the forest and its birds and mammals. I tried out the Little Tower, around 530 meters from the Pond Heron Hut entry point. From 10 meters above ground level, I saw the vast green expanse of mangrove forests as far as the eye can see. When the weather is clear, one can also see mountains in the distance – Gunung Agung and Gunung Batukaru. You can also watch the various species of birds and mammals, including storks, kingfishers, and monitor lizards. It's a perfect place for those who enjoy bird watching, or just to rest for a while after the walk. Gentle breezes relieve your fatigue and revive you to continue the trek.


The functions and benefits of the mangrove forests can no longer be ignored, and it is essential that we preserve them. The many problems that the forests face, such as trash and land conversion, must be mitigated immediately, by raising public awareness. Proper synergy between humans and their natural environment will create tremendous benefits for all of us.

For more information, contact:

Mangrove Information Centre (MIC)
Jl. Bypass Ngurah Rai km.21, Suwung Kauh, Denpasar, Bali, Indonesia.
Tel: 62 – 361 – 726969, 726546, 728966
Fax: 62 – 361 – 710473
E-mail: micjica@indosatnet.id

Exsotic Candikuning

The morning sunlight at Ulun Danu temple, the natural panoramas of the botanical garden, and water sports at Lake Beratan are just part of what's waiting for you at Candikuning village

Sunrise at Lake BeratanLocated in the northern tip of Baturiti District, Tabanan Regency in northern Bali is a place with several fascinating tourism attractions. It lies at 1301 meters above sea level, so the weather is cool most of the day, averaging 24oC in the daytime and falling as low as 18oC at night.

Here we find Lake Beratan, with the Ulun Danunya temple whose fame has spread far and wide. The temple's meru section, on the shores of Danau Beratan, is one of Bali's most often photographed icons.

Setting out from the city of Denpasar in the early morning, I first headed west toward Mengwi District in Badung, and then northward on the main Tabanan–Singaraja road. It's around 62 kilometers from Denpasar Candikuning, on a steep and twisty road, especially as you approach Candikuning. It took me around an hour to get there.

Pura Ulun Danu Beratan
My main purpose in Candikuning was to see the sun rise from the shores of Danau Beratan near Ulun Danu temple. After paying for my entry ticket, I entered the temple area through the surrounding garden and headed toward Pura Ulun Danu Beratan on the lake shore. The silhouette of the temple's meru lit up by lights, with the blue morning sky in the background, was a sight of incomparable beauty. A moment later, a thin mist crept into the sunlight, blanketing the area around the temple and enhancing the drama of the ambience. In the distance I could see several tourists taking boats out to the middle of the lake to enjoy the splendid view of the temple from up close. Wooden boats can be rented for around Rp 50.000 per hour.

The Kumbakarna Laga statuePura Ulun Danu Beratan was built in the 15th century as a place to worship the gods and supplicate them for fertility, prosperity, welfare for humans and preservation of the natural universe. Within the Pura Ulun Danu Beratan area lie four other temples, including a Buddhist stupa to the east. The remains of several megalithic sarcophagi and stone walls indicate that this place has been used for rituals since the megalithic era.

Kebun Raya Eka Karya
From Pura Ulun Danu Beratan, I went to the Eka Karya botanical garden, quite near by, only a ten-minute drive. I took my vehicle in so that I could get around the 154-hectare complex more easily. The roads within the botanical garden are excellent.

Expanses of greenery delighted the eye in every direction. Cool breezes reinforced the feeling of calm, inviting me to stay longer in this well-maintained place. Kebun Raya Eka Karya, established in 1958, has a collection of roughly 16,000 plants, comprising 1500 species. The garden is divided into several zones for different types of plants: an orchid garden, a rose garden, a cactus garden, a medicinal plant garden, and so on.

The botanical garden functions as a place for scientific research, conservation, education, and recreation. Various recreational facilities are provided, such as gazebos and benches, as well as toilets. There's also a treetop adventure called "Bali Treetop". The cool surroundings with rows of trees and vast open spaces make this a perfect place for a family outing.

Candikuning Market
I then headed for my third destination, Candikuning market, around 500 meters from the botanical garden entrance, just a five-minute drive. I wandered through the market. In the front section are ranks of vegetable and fruit vendors, offering cabbage, green vegetables, carrots, tomatoes, strawberries and much more, all fresh and neatly displayed. There are also many types of souvenirs and traditional snacks available to take home to family and friends. To the rear of the market are rows of plant and flower vendors, and surrounding the market are several restaurants where you can eat and rest.

The cool climate is very favorable for various types of vegetable, fruits, flowers and other plants. The local people's activities in the market bring together the tourist destination, visitors, and the local community. The benefits of tourism are enjoyed not only by those directly involved in the tourism industry; other local residents also indirectly benefit from the large numbers of tourists visiting their area.

Water sports at Bedugul
My trip now took me to my final destination, the water sports venue at Bedugul, around one kilometer west of Candikuning market. Bedugul is the name of a spot on the south shore of Lake Beratan. It is equipped with a small dock where you can rent wooden boats to navigate around Lake Beratan for Rp 50.000 an hour; it takes around Rp 100.000 to go all the way around the lake once.

A wide variety of other water sports and adventures are on offer here: jet skis, water skiing, banana boat, and much more. If you don't want to travel around the lake, just sit by the shore and enjoy the spectacular view. Fishing equipment can also be rented from the local residents.

And because these tourist attractions are located so close together, you can visit all of them in the same day!

Sanur shine......

A vibrant village in the 1970s, Sanur in southern Bali retreated to the background as the island's upscale Nusa Dua, cozy Legian, artistic Ubud and elegant Seminyak took center stage. It is now, however, set to reclaim its rightful place among its peers on the back of its intrinsic time-honored allure.

A place in the sun at Sanur Beach.Sanur is not exactly Bali's best-kept secret. After all, it was precisely the village's exotic appeal that attracted tourists the world over and sparked Bali's tourism growth in the early 1970s, making the island a perennial winner of major travel magazines' much-coveted 'the world's most favorite resort' title.

Rock stars Mick Jagger and David Bowie always make it their point to spend time in Sanur to re-charge their batteries after doing exhausting concerts in Australia. Celebrities such as Sarah Ferguson and Sophia Loren have put Sanur in their list of must-visit places (maybe now no longer, but certainly during their happier days).

And when years ago Dewi Soekarno, to the delight of incorrigible voyeurs, decided to bare her natural assets -- albeit somewhat depreciated -- in a coffee-table book, it was said that she would settle for no less than Sanur as the site for the steamy photo session.

"Sanur stands out among other areas in Bali for its wide appeal that caters to a wide spectrum of visitors," said Ida Bagus Ngurah Wijaya, the chairman of the Denpasar-based Bali Tourism Board (BTB) and owner of the Segara Village cottages, told this magazine recently.

He added: "Here you'll find sandy beaches, spectacular sunrises, a golf course, a shopping center, art galleries, a five-star hotel and beachfront villas. The culinary scene is also picking up pace, with new eateries opening at a steady rhythm."

"No village in Bali can boast such a wide range of facilities, including international schools due to its sizable foreign community. At present, we're in the opening of spas mode."

A new feature in Sanur's landscape is the face-lifted, nine-hole Bali Beach Golf Course in Inna Grand Bali Beach Hotel area. Its newly re-designed greens and completely new driving range come with tall trees and lakes that add to the already beautiful course. A Pro Shop provides a wide range of golf equipment and accessories and an open air restaurant of Western-Asia menu amidst gorgeous view and relaxing ambience.

Said Carolina Wijaya (no kin to Ngurah Wijaya), the marketing manager of Bali Beach Golf Course: "Many come here because they can play early in the morning and finish off soon before they go to the office. Likewise, there are also many who come here in the afternoon after office hours and go home before dinner time."

In many ways, with its irresistible drawing power of sun, sand, spa and (a little bit of discrete) sex, Sanur defines Bali. But there is more to Sanur than that. The aura of old money and new money is in the air, an interesting combination that takes shape in Jalan Danau Tamblingan, a tree-lined street dotted with villa hotels, chic boutiques, fine-dining restaurants and art galleries, many of which owned by foreigners with locals as their fronts.

On Saturday evenings, the place to be for good, reasonably-priced food and good, reasonably-performed music is Cafe Batujimbar on that very same street.

The newly-built driving range at the Bali Beach Golf Course

A wide patio graces the front of the establishment, inundated with wooden chairs and tables protected by umbrellas to shield visitors from the sun. The menu is a mirror of the chef's culinary prowess – from classic Caesar salad and grilled smoked Turkey breast and cheese toast to Pad Thai rice noodles and nasi campur (steamed rice with beef, chicken, fish, vegetables and chili). While you devour your food, a local band does a respectable re-interpretation of the work of foreign artists.

"On Sundays we hold a kind of an open market where fresh vegetables and local food are sold," says a woman who identified herself simply as Tari, the manager of the joint.

Mark Wilson was first introduced to Indonesia in the 1970s when he was a catering consultant for Garuda Indonesia. He has only fond memories of the time he spent during the Indonesian flag carrier's formative years. He has even fonder memories of the day when he later moved on and opened The Cat & Fiddle pub and restaurant and other related businesses in Sanur, all of which thrived in good time.

"I was in the midst of Indonesia's best years. The oil boom and investments were in high gear, while foreign tourists flocked to Bali in droves," he recalls.

"Even in dire times you're still be able to make a decent living here."

Recently, Wilson, who is also Great Britain's honorary consul, opened not far from his earlier venture a similar eatery, The Wicked Parrot, which featured in the evening, of all things, Irish music performed by members of his family accompanied by local musicians.

The place has the distinction of serving the British brand beer, Storm, which is brewed in the island in a joint venture with local businessmen. It has a sweet, mild taste that promises to make a teetotaler into an alcoholic.

Like many foreigners, Wilson too finds Sanur an ideal place to spend the remaining years of your life. While that may not be possible for all, some do so at least three to four months a year.

"It's common for retired folks from England to come here on a prolonged visit to escape the harsh winter. Sanur is quite and at the same time lively, and most importantly safe," says Wilson, who is married to a local woman and has his children to help him out running his diverse businesses.

Cafe BatujimbarSays BTB's Wijaya: "Our promotional drive also focuses on the so-called 'silver market', baby-boomers who have retired and have discretionary income and free time to spend outside their countries. So far we have been able to attract large numbers of retirees from Holland, who come here to stay for up to six months as they enjoy special rates."

But no matter where they come from and spend their time in Sanur, they all share a common desire to visit the Le Mayeur Museum, the former house-studio of the famous Belgian impressionist painter of aristocratic stock who came to Bali in 1932 and stayed there for almost three decades. The museum displays parts of his large body of work in several rooms, whose upkeep leaves much to be desired. But what the museum lacks in good maintenance it makes up in historical original paintings that never fail to amaze even the uninitiated.

(Next month's issue of this magazine will feature an expanded story of the museum.)While you're in the environs of the museum, don't miss one of Sanur's icons, Warung Mak Beng, which is said to have been around for over six decades and lies a few footsteps away. The somewhat dilapidated small eatery serves unequivocally the best fried fish and drool-inducing fish soup in perhaps the whole universe.

Most villages in Bali hold promotional festivals every year though none seem to match Sanur in terms of its breadth and reach. The Sanur Village Festival (SVF) is held in August featuring cultural performances and sports and culinary events.

"In addition to SVF this year we also plan to hold the "Spiritual Festival", an event that highlights mind and body wellness," says Wijaya.

So, how upbeat is Wijaya on Sanur's future?

"In 2007 and 2008 we experienced double-digit growth in the number of foreign visitors visiting Bali. I'm not sure whether we'll have any growth at all this year. It's too early to tell because of the ongoing global economic crisis," Wijaya, whose parents were among the prime movers who transformed Bali into what it is today.

"We would still be happy if we could retain the number of foreign tourists that came here last year, which was about 1,9 million."

Sanur, by the way, is said to mean something like "the strong urge to visit a place." First-time and serial visitors as well as long-time residents insist that it should mean "the place strongly urged to visit."

Tumpek Landep

At least four times a year visitors to Bali will bear witness to cars and motorbikes cruising the streets of the island decorated with 'sampian' and 'lamak' - offerings made of young coconut leaves and fl owers. The decorations mark that the cars and motorbikes have been blessed through ceremonious rituals. Such rituals take place on Kuningan and Tumpek Landep, both 'pawukon' days based on the Balinese lunar calendar that fall every six months (210 days). While ceremonies held on Kuningan are part of the great Hindu holiday of Galungan, a day in celebration of the glory of good against evil, thus not in connection with vehicles. Ceremonies held on Tumpek Landep day are uniquely held to bless metallic objects, including cars, motorbikes, and machinery. The rituals aim to honor Sang Hyang Pasupati, Lord of Heirlooms, for the creation of steel goods. Tumpek Landep day falls twice this year, on Saturday, 4th March, and on Saturday 30th September.

While the word 'tumpek' means a particular day on a Saturday in the Balinese lunar calendar and the word 'landep' in Balinese means 'sharp'. People who were born on Tumpek Landep day are believed to have sharp minds and brains. Initially, Tumpek Landep was a day of rituals given to specifi c sharp tools made of steel like weapons, 'tombak' (spear) and 'keris' (a traditional wavy double-bladed dagger). Both 'keris' and 'tombak' are symbolically used by temples during festivals and processions. Keris is also an essential tool used in the performing arts. Almost all male dancers representing a hero or the upper class have a keris across their backs and use it as a weapon during a war or fi ght. Visitors who watch 'Keris and Barong Dances', one of the most popular tourist performances, will see how the armies of the destructive power of Rangda (an evil fi gure) use keris in trying to stab their opponent, Barong (representing good). With his magical powers, Barong, who symbolizes positive powers, hypnotizes the armies. The armies then go into trance and stab themselves and their leader Rangda, instead of Barong. The stab causes them no harm at all, and a priest is required to bring them out of trance.

Keris is also symbolically important for Balinese families although not all possess one. Like male dancers, grooms usually wear a keris across their backs during wedding ceremonies. In the now rare case of an absent groom at the marriage ceremony, due to unresolved clan differences, a bride is married to a keris as a representation of the groom. Some people also collect keris for a hobby. A group of keris collectors whose members come from Java and Bali often hold keris exhibitions and seminars in Denpasar. The modern-day interpretation of keris in both day-to-day life as well as Balinese tradition makes the ritual of Tumpek Landep highly anticipated. The ceremony aims not only to honor the Lord of Heirlooms and to revitalize the magical powers of the metallic tools, but also symbolizes the sharpening of the owner's heart and mind.

tumpek landepToday, ceremonies on Tumpek Landep are extended to ritualize all objects made of metal, including cars, motorbikes, trucks, computers, televisions, digital cameras and machinery. Machinery, vehicles, and other goods are washed and cleaned prior to the ceremony. Transport companies who own several cars or buses, printing companies, rice-milling factories and all other factories normally close operations on Tumpek Landep day. Metallic objects are blessed through quite a large ceremony with elaborate offerings; perhaps completed with the sharing of a suckling pig, the ultimate show of a successful ceremony. The goals are the same; on one hand, Lord Pasupati is honoured and on the other hand, operational functions are maintained, thus helping day-to-day usage. People also believe that a lack of ceremonies could cause the metallic objects to malfunction. Therefore, the Balinese usually perform a 'melaspas' ceremony for every new metallic object before its use or operation. During the ceremony, it is hoped that the Gods will bless the objects as well as their users. In the recent past, a jumbo jet at Bali Ngurah Rai airport was even witnessed being ritualized before starting to serve a new international route! However, ceremonies of small metal goods or big machinery such as trucks continue to be held every Tumpek Landep and on holy days such as Kuningan.

tumpek landepBeliefs and Traditions
The inclusion to the Tumpek Landep ceremony of offerings to machinery and other steel, iron and metallic modern products suggests at least two interrelated points. Firstly, it reflects the flexibility of the Balinese's beliefs and traditions. The Balinese's beliefs and traditions have proven to be adaptable and relevant to modern life. Some may not feel safe in operating new engines or driving new cars without first given them a blessing ceremony. Others may believe that accidents in the operation of an engine or the driving of a car may be caused by carelessness during a ceremony on Tumpek Landep. This belief remains strong in modern day Bali. This is a noticeable point as ceremonies on Tumpek Landep have become more and more elaborate over time. This practice further suggests that the more modern the Balinese the more traditional they become.

Secondly, the significant meaning of the Tumpek Landep ceremony resides on its goal to sharpen people's minds and hearts, as they are the ultimate users of technology. This supports the message of a proverb that says 'man is behind the gun'. Therefore, the functions of technological products eventually rely on the usage of the people who operate them. Consequently, in order to ensure the proper, safe, and wise use of weapons, machines, vehicles, and other metallic appliances, the mind and heart of the user needs to be foremost and continuously revitalized. The Balinese try to uphold this revitalization every Tumpek Landep day.

tumpek landepTumpek Wariga and Tumpek Kandang
In addition to Tumpek Landep, the Balinese also celebrate a special day for trees known as Tumpek Wariga and a day for live-stock known as Tumpek Kandang, of which both fall at different times every six months (210 days) during the Balinese lunar calendar. On the auspicious day for trees, offerings are made to fruit trees, palm trees, and gardens, while on the auspicious day for live-stock, offerings are given to chickens, pigs, and other live-stock. While the aim of the ceremonies on Tumpek Landep is for the well being and productive use of technological products, the aim in celebrating the auspicious days for plants and live-stock is to ensure the growth of flora and fauna, so they can be successfully cultivated for the prosperity of humanity. These two celebrations are less likely to be observed as they are held in family compounds and farms. The celebration of Tumpek Landep is more visible as cars on the street are decorated with the aforementioned sampian and lamak.

Day of Technology
As Tumpek Landep is a ceremony held for metal goods and other post modern appliances, and with the adaptability that the Balinese show when coping with modernity, Tumpek Landep day could also be known as Tumpek Technology or the Day of Technology in the near future, something that Balinese might inspire the world to celebrate!

Pura Luhur Uluwatu

At the western most tip of Bukit Peninsula (farther south from Jimbaran), there is one of Bali's nine important 'Kayangan Jagat' temples (believed to protect the island through their intricate positioning). The location is dramatic, rocky precipices drop almost 100 metres to the Indian ocean, and the temple balances on a narrow promontory's edge that offers one of the best sunset views on the island above dramatic crashing white surf. It was built in the 11th century to worship the holy priest, Empu Kuturan, who came to Bali bringing religious law and the formation of 'Desa Adat' – traditional villages. The temple is also in honour to the doctrine of the holy man, Dang Hyang Nirartha, who came to Bali at the later date of 1550. He spent his last day in the world at the temple to reach 'moksa or ngeluhur' (enlightenment) which then lent its name to the temple's present name of Luhur Uluwatu.

Candi Bentar
The 'candi bentar', or split entrance gate, has carved fl anked sides in the shape of wings. The 'jaba tengah', or second courtyard, is guarded by statues of Ganesha, the man-bodied, elephant-headed god. He is believed to be the remover of obstacles and leads into 'jeroan' – or the innermost sanctuary – that can only be accessed to those who are praying. The frangipani blossoms that surround the temple are home to some friendly but mischievous monkeys, that seem to be as much of an attraction as the temple to the many foreign visitors, that come by the coach load around sunset time.

Kecak Dance
Post-sunset hails a daily 'kecak dance' that is impressive and a must-see for those who have not yet been privy to this exhilarating trance performance that emulates the sound of the chattering monkeys of Pura Luhur Uluwatu Temple

Ketut Budiana: Maestro of The Fantastic

When it comes to high art, little attention is today paid in Bali to the type of painting that issues directly from the Hindu-Balinese symbolic world. Abstraction, objective realism, installations and performances are the prevailing hype. Anything that has a stylistic Balinese flavour is deemed passe. Yet, in one of the gangways of Ubud-Padangtegal lives and works a lonely artist who can withstand the comparison with the likes of Fuchs and Odilon Redon: Ketut Budiana, the Balinese "Fantastic" master.

To Ketut Budiana, art is philosophical. His paintings speak of the swirling, churning and whistling of energetic cosmic forces that are at the root of Hindu-Balinese understanding of the world and Man's place in it. Those forces are represented by demonic characters derived from Balinese classical iconography.

Unlike classical paintings though, Ketu Budiana's works do not represent stories such as the Mahabharatta and Ramayana. They illustrate the polar – positive and negative- forces at work both at the level of the Macrocosm (Bhwana Agung) and at that of the microcosm (Bhwana Alit) or human being. The cosmos is in the self, he tells us, and the self has to adapt to the whirling rhythm of the larger cosmos, its long-term aim, after an unknown number of incarnations, being to melt and disappear into the cosmic void through Moksa. And the way to achieve Moksa is for the human being to fulfil his/her swadharma, i.e to perform the ritual and social duties that correspond to his/her incarnated status as a man or woman with specific talents and abilities.

Born in 1950 in Padangtegal, Peliatan, in the Ubud district of the Gianyar regency, he was twenty when tourism began, in the 1970s, its fast and uninterrupted growth. So his life has accompanied all the irresistible changes his island has been subject to. He was born on an island without cars or electricity, ethnically and linguistically homogenous, and where knowledge was mainly transmitted through the magic of a religion-imbued theatre. He grew into adulthood as this same island was becoming richer, yet its culture shrinking under the dual onslaught of the national state—carrying a different language and a different symbolic world—and of Western-inspired modernity. So Ketut Budiana stands as a witness of a changing society, and his art is a distinct, unique attempt at revitalizing old Balinese values and symbols while remaining as close as possible to the original techniques and meanings.

Appreciating Ketut Budiana's painting is accepting the validity or legitimacy of a different kind of aesthetics. The works are made to be appreciated not from a distance, as a visual whole, but rather to be "read" from close up; the space is never open, but usually dark and at times full of coded characters that may seem obscure to the non-Balinese. But once one accepts the legitimacy of such different aesthetics and let the eye roam freely over the surface of the works, then gazes at a patterned detail, visually digging into it, before dancing again on the surface to follow the lines of identification of a drawing, then the "monsters" magically come to life before being taken into a maelstrom of throbbing forms, while the onlooker feels falling upon himself the heavy rhythm of the primal cosmic world.

Trippin on island

Since Bali is undisputedly one of the best surfing destinations in the world, it would not be too difficult to agree that the local surfers should well be forgiven for having earned the reputation of being lazy travellers. After all, why leave the comfort of your island paradise, your home, your food, and some of the best waves on the planet to go somewhere that has mediocre waves, worse weather, disgusting food, strange language, and too many rules?

In the early days of surfing in Bali, a few of the guys like Ketut Menda and Gede Narmada ventured off the island to experience places like Australia, California, and Hawaii, coming back with tales of how radically different life was compared to their small Indonesian island. But most were content to be armchair travellers and just listen to the stories, watch the videos, and look at the magazines for their experience of life on the other side.

However, the surf industry began to grow, and the big surf brands took notice of the talented Balinese surfers and enlisted them to their surf teams and with it came sponsorship requirements dictating a certain amount of travel each year for competitions, photo and movie shoots, and public relations events.

The (un)fortunate few would be bundled aboard an airplane and whisked off into the sky, to eventually land in some galaxy far, far, away where they had to compete in cold water, crappy waves, and eat weird food that got them little more than homesick. It was out of adventures like this that the ISC was born back in 2004. Having had enough of spending lots of time and money to travel and compete in foreign lands, while at home there were plenty of great waves, the idea of having an Indonesian Surfing Championship series in their own country was the perfect solution.

However the increased exposure has ultimately resulted in more travel requirements, as the unique skills of the exciting Indonesian surfers have become more and more in demand for travel documentaries, video shoots, exhibitions, and competitions here in Asia and beyond. There is rarely a month that goes by without one of the crew being off the island travelling somewhere, especially during breaks in the tour schedule and in the off season (November – March).

The Philippines, Malaysia, Hong Kong, and Vietnam, as well as on the North Shore of Hawaii, California, Australia, South America, and Europe are some of the spots the boys have been this last year.

Wayan "Betet" Merta is currently enjoying the waves of the North Shore in Hawaii as a newlywed, having been married recently here in Bali. Team mate Mustafa Jekson took some time to go exploring up in East Java to tune up for his upcoming trip to Australia, where he will spend the next couple of months competing in multiple Pro Junior events including the Hurley Pro Junior at Burleigh Heads in Queensland, the Oakley Pro Junior at North Stradbroke Island, the Billabong Pro Junior at Coffs Harbour in New South Wales, and possibly the Quiksilver Pro Trials at Snapper Rocks which starts on the 28th of February.

island trippin

Garut Widiarta, Lee Wilson, and Marlon Gerber will spend a few weeks on the North Shore of Hawaii, pitting themselves against big Hawaiian waves, hanging out with their pro surfer friends, and checking out the contest scene. Garut also spent time in Southern California, visiting his girlfriend and surfing the chilly waters of the Pacific Ocean.

Raditya Rondi, the young superstar goofyfooter from Kuta, has been logging some serious air miles lately, with two trips to the Philippines and a trip to Malaysia, and is currently in Australia for the next two months training and competing in several of the same pro junior events as Mustafa Jekson.

His fellow teammates Wayan "Kopling" Wirtama and Rahtu Suargita also travelled to compete in the Cloud 9 contest in the Philippines in September, and made the trip up to Malaysia to help out at the Billabong Pro Am in Cherating in December.

Last but not least, Lakey Peak's wunderkind Oney Anwar took a break from his school and surf training program on the Gold Coast of Australia to come back to visit his family and friends in Sumbawa and Bali. The not-yet 16 year old has been making quite a name for himself over the last year, having won a couple of comps over some very tough Aussie competition, and is well on his way to his goal of being the first Indonesian to compete on the World Championship Tour.

So while it‘s certainly true that there is no place like home, there is also nothing like travelling around to make the boys truly appreciate home, and while they can't take their beloved Nasi Campur on the road with them, it‘s waiting in plentiful supply for them on their return.

Upcoming on february

valentine's day events
Experience a romantic dinner in indigenous Balinese settings at The Laguna Gazebo (The Laguna Resort & Spa Nusa Dua, T: 0361 771327). Located by the beach, this romantic venue overlooking the Bali Sea is set amongst lush tropical gardens and blue crystal lagoons, which provide a perfect dining venue option and romantic setting.

Celebrate this coming Valentine's Day with a romantic dining interlude at Ikan Beachfront Restaurant with unparalleled views over the Indian Ocean. The Westin (Nusa Dua, T: 0361 752 111) offers an intimate environment for this very special occasion. Embrace the soft sea breeze in a beachside setting under a canopy of stars and enjoy an exquisite five course set menu with a sweet ending of dark chili chocolate.

Theta Spa (Bintang Ramada Resort, T: 0361 755 726) is offering some delicious discounts for this Valentine's. Celebrate the Chocolate Indulgence package for couples at a 40% discount or for the pampered lady a haircut and eyelash extension with 20% off.

Tugu Bali (Jl Batu Bolong, Canggu, T: 0361 731 701) aim to seduce with their Aphrodisiac Picnic in Bed. Savour a tasting menu on an authentic 18th century antique bed on a private stretch of beach at dusk or check in for the Tugu Valentine's package for three nights at IDR 8,100,000 net. Running throughout the month of February.

To celebrate Valentine's Day, The Gangsa (Jl. Tirta Akasa 28 Sanur, T: 0361 270 260) offers the romantic spa package 'True Destiny', best enjoy a deux. It's a 150 minutes his and her treatment opportunity to unwind, relax and surrender the senses to a session of complete rejuvenation, priced at just USD 215 ++ per couple.

The Samaya (Jl Laksmana, T: 0361 731 149) invites guests to experience their Valentine's special dinner at Breeze restaurant. Indulge in a luxury four-course menu with champagne at one of Bali's most romantic beachfront dining locations. Priced at IDR 1,500,000 per couple. Reservations essential.

For those who prefer the romantic ambience of an Italian style restaurant setting, The Village (Jl. Danau Tamblingan 27 Sanur, T: 0361 285 025) could be an option for you to celebrate Valentine's Day with your loved one. The Village offers a romantic dinner with special menu in addition to its regular eclectic fare whilst DJ's and a fashion show are on hand to provide entertainment.

Sector Bar & Restaurant (Jl. Hangtuah Sanur, T: 0361 287 733) present a special R&B salsa party with special theme of 'Cleopatra's Night'. Contact the restaurant for more details on tickets.

Bali Hai Cruises are offering guests a chance to indulge in not one but two romantic voyages this Valentine's night. The 'Aristocrat' catamaran will host couples on a champagne and canapé laden cruise to Nusa Dua whilst the Bali Hai Sunset Dinner Cruise sets sail into the sunset with a full buffet, cabaret show and live music. Prices per person are USD 55 and USD 40 respectively. More information at Bali Hai Cruises, T: 0361 720 331.

1st – 28th Feb
Gallery Santrian (Jl. Danau Tamblingan Sanur, T: 0361 288 181) cordially invites guests to attend the current sculpture exhibition of Carola Vooges. The exhibition features the duality of her art and character represented in a concrete form of surrealism. Vooges is not only a gifted sculptor but a designer as well with great experience in industrial design and architecture.

5th – 28th Feb
Hanna Artspace (Jl. Pengosekan Ubud, T: 081 797 308 98) will feature a visual group display called 'Encounter' as their first exhibition in 2009 by a group of Indonesian artists who have just finished their exhibition in Malaysia entitled 'Art Malaysia 2008 II' at Mid Valley, Kuala Lumpur.

12th Feb – 9th March
Ganesha Gallery (Four Seasons Hotel Jimbaran, T: 0361 701 010) hosts a painting exhibition by Putu Wirantawan titled 'Alternative Universe'. In his current exhibition the artist features two series that can be viewed as wholes or individual works of art. The first of these, Connected Circles, features twelve separate images dominated by circles suspended between Hindu-Buddhist mandala and CDs. The second series consists of four equal sized panels. The images here are decidedly more architectural with various pyramidal shapes, some with steps.

14th – 28th Feb
Several members of the painter's group known as Galang Kangin together with other artists invite guests to visit their current exhibition at Tonyraka Art Gallery (Jl. Raya Mas Ubud, T: 0361 781 6785) to acknowledge the recent changes in their work. Well-known names together with hitherto undiscovered talent show their changes in painting technologies and illustrative messages.